Georgine Shillard-Smith: Difference between revisions

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== Involvement in the arts ==
== Involvement in the arts ==
Georgine studied art with Cecilia Beaux, who specialized in portraits. She was a pupil of James McNeill Whistler late in his life, and took classes with Hugh Henry Breckenridge. Breckenridge painted a portrait of her around 1909.<ref>"Contemporary Art Show Will Be Shown in South" ''Charlotte Observer'' 76 (April 26, 1944), 6.</ref>  
Georgine studied art with Cecilia Beaux, who specialized in portraits. She was a pupil of James McNeill Whistler late in his life, and took classes with Hugh Henry Breckenridge at the Darby School of Art in Port Washington.<ref>"Summer School Art Season Now Thoroughly Underway" ''Philadelphia Inquirer'' (July, 19, 1903), 7.</ref> Breckenridge painted a portrait of her around 1909.<ref>"Contemporary Art Show Will Be Shown in South" ''Charlotte Observer'' 76 (April 26, 1944), 6.</ref>  
She signed her paintings as Georgine Shillard. For many years she maintained her own art studio.<ref>U. S. Census, 1910.</ref>
She signed her paintings as '''Georgine Shillard'''. For many years she maintained her own art studio, and she frequently sketched during her travels.<ref>U. S. Census, 1910.</ref>


She was associated with the '''Philadelphia Museum and School of Industrial Art''' for decades, as a donor, on the Instruction Committee, and on the Board of Trustees.<ref>''Bulletin of the Philadelphia Museum'' January 1911.</ref> A prize in illustration was established in her honor.<ref>"Notable Alumni", The University of the Arts [http://library.uarts.edu/archives/notablealumni.html web page.]</ref> In addition, she was active in the '''Plastic Club''', a group of women artists, and served as president during the years 1922-1926 and 1932-1936.<ref>Plastic Club Records, 1888-2007. The Historical Society of Pennsylvania. Collection 3106. Records in Appendix A at this [http://hsp.org/sites/default/files/legacy_files/migrated/findingaid3106plasticclub.pdf website]</ref>    There is a '''Shillard-Smith Gallery''' in Belleair, Florida. She was a board member of the '''School of Design for Women'''<ref>"Designers Needed in South America''' [Philadelphia] ''Evening Public Ledger'' 6 (January 30, 1920), 4.</ref>
She was associated with the '''Philadelphia Museum and School of Industrial Art''' for decades, as a donor, on the Instruction Committee, and on the Board of Trustees.<ref>''Bulletin of the Philadelphia Museum'' January 1911.</ref> A prize in illustration was established in her honor.<ref>"Notable Alumni", The University of the Arts [http://library.uarts.edu/archives/notablealumni.html web page.]</ref> In addition, she was active in the '''Plastic Club''', a group of women artists, and served as president during the years 1922-1926 and 1932-1936.<ref>Plastic Club Records, 1888-2007. The Historical Society of Pennsylvania. Collection 3106. Records in Appendix A at this [http://hsp.org/sites/default/files/legacy_files/migrated/findingaid3106plasticclub.pdf website]</ref>    There is a '''Shillard-Smith Gallery''' in Belleair, Florida. She was a board member of the '''School of Design for Women'''<ref>"Designers Needed in South America''' [Philadelphia] ''Evening Public Ledger'' 6 (January 30, 1920), 4.</ref>

Revision as of 17:59, 18 August 2019

Portrait of Georgine Shillard-Smith,
by Hugh Henry Breckenridge.

Georgine Northrup Wetherill Smith, later known as Georgine Shillard-Smith, was an American artist and arts patron, and a member of the Theosophical Society in America. She was responsible for commissioning the murals that were painted for the L. W. Rogers Building on the Society's headquarters campus. She also donated other art works and a large parcel of land.

Personal life

Georgine Northrup Wetherill was born on March 2, 1873 in Philadelphia.[1] On April 18, 1893 she married Charles Shillard Smith (September 10, 1864 - November 25, 1946) at a Unitarian Church. He was a wool merchant and a director of the United Security Life Insurance and Trust Co. of Pennsylvania, and later went into banking and stock trading.[2] They had a daughter Christine who was born in 1910.

Social life

The family was affluent and traveled the world.[3] They alternated between a city home in Philadelphia and a country home in New Jersey, with trips to Maine, Florida, and southern California. Foreign travel included India, Egypt, North Africa, Italy, and Spain.[4]

Active in mainline Philadelphia society, their names appeared in periodicals such as Town and Country, the New York Times, and in society columns of numerous newspapers across the nation.[5]

Georgine was a member of National Society of Magna Charta Dames and Barons, and of other civic and cultural groups.

Family members

Georgine Shillard-Smith had a younger sister, Sara Northrup Wetherill (October 11, 1874 - December 2, 1938) who was also a Theosophist. Sara and her husband Robert Restalrig Logan had a large estate, "Sarobia," in Eddington, Pennsylvania, and were very active in the Theosophical Order of Service. Sarobia a short distance from the Shillard-Smiths' country home "Beech Banks" in Edgewater Park, New Jersey, across the Delaware River.

Another Theosophist sister, Christine Northrup Wetherill, was also prominent in society as Mrs. Yorke Stevenson.[6] She and Georgine often collaborated in supporting the dramatic arts in Philadelphia. Mrs. Stevenson sponsored the production in old Krotona of The Light of Asia as a play.[7]

The Wetherill sisters had a brother, Col. Samuel Price Wetherill, Jr., who became a Theosophical Society member in 1924 with the sponsorship of Sara Logan, and was still a member at his death in 1934.[8] One more sister, Isabel Wetherill Henderson, was not involved with Theosophy.

Christine Shillard-Smith became a fashion designer under the name Tina Leser, living in Hawaii with her husband Curtin Leser.[9]

Later years

Georgine and Charles lived in Florida in their later years. She died on October 12, 1955 in Pinellas, Florida, but was buried in Philadelphia.

Involvement in the arts

Georgine studied art with Cecilia Beaux, who specialized in portraits. She was a pupil of James McNeill Whistler late in his life, and took classes with Hugh Henry Breckenridge at the Darby School of Art in Port Washington.[10] Breckenridge painted a portrait of her around 1909.[11] She signed her paintings as Georgine Shillard. For many years she maintained her own art studio, and she frequently sketched during her travels.[12]

She was associated with the Philadelphia Museum and School of Industrial Art for decades, as a donor, on the Instruction Committee, and on the Board of Trustees.[13] A prize in illustration was established in her honor.[14] In addition, she was active in the Plastic Club, a group of women artists, and served as president during the years 1922-1926 and 1932-1936.[15] There is a Shillard-Smith Gallery in Belleair, Florida. She was a board member of the School of Design for Women[16]

Mrs. Shillard-Smith was an avid art collector, and assembled a Van Gogh, Monet, Whistler, and Picasso.[17]

In 1944, Mrs. Georgine Shillard-Smith donated seven acres of land to create the Florida Gulf Coast Art Center.[18] "On Sunday, April 2, 1950, The Tampa Tribune announced the establishment of the Florida Gulf Coast Art Center in Belleair. The center began as a group of buildings consisting of modern studios, dormitories, galleries and lecture halls that were constructed on the property of its founder, Mrs. Shillard Smith."[19] A gallery is named after her.

In 1952 or 1953, Mrs. Shillard-Smith published a book of poetry illustrated with her own full-page color illustrations.[20]

Theosophical Society activities

Mrs. Shillard-Smith became a member of the Theosophical Society in America on July 2, 1914.[21] She regularly operated a Theosophical reading room located in a studio at the Arts Alliance Building.[22] Charles was also involved; in 1920 the family were living in the Krotona colony in Hollywood, California.[23] After leaving California, the family lived in Edgewater Park, Burlington, New Jersey for some years, but visited the Society headquarters in Wheaton, Illinois. She established a book shop and lending library in Atlantic City, New Jersey which resulted in the formation of a lodge. "From ten members on Nov. 11, 1927, the Lodge has grown to thirty-six on Nov. 11, 1928, seven having joined after Mr. Rogers' recent lecture."[24]

At the 1930 national convention, she proposed a project to have Philadelphia artist Richard Blossom Farley paint murals on the walls of the lobby in the new L. W. Rogers Building. She headed fundraising activities for the mural installation. Later she donated a marble pedestal to hold a bust of Annie Besant, and several acres of land adjoining the headquarters estate. The land was intended to provide space for an arts center, but funds were never available to put up the proposed building. In the 1950s, TSA President James S. Perkins used the land to create a pond. When the couple moved to Clearwater, Florida in 1940s, they belonged to the Hermes Lodge.

Notes

  1. U. S. Passport application, October 5, 1893.
  2. Trust Companies of the United States, 1917 edition. Page 423. Available from Google Books.
  3. "Label Resource: Leser, Tina". Vintage Fashion Guild website.
  4. Mary Morris, "Hawaiian Background" Detroit News (February 14, 1945), 11.
  5. Dozens of articles or mentions appear in Philadelphia Inquirer, Momento [Philadelphia], Evening Public Ledger [Philadelphia], Trenton Evening Times, Harrisburg Patriot, Evansville Press, The Sunday Star [Washington, D.C.], Richmond Times-Dispatch, The Daily Herals [Biloxi], San Diego Evening Tribune, San Diego Union, Bradenton Herald, Charlotte Observer, and Key West Citizen.
  6. Town & Country 66.11 (May 27, 1922), 23.
  7. Anonymous, "A Festival Drama" The Messenger 5.12 (May, 1918), 789-790.
  8. Membership Ledger Cards Roll 8, Theosophical Society in America Archives.
  9. "Label Resource: Leser, Tina". Vintage Fashion Guild website.
  10. "Summer School Art Season Now Thoroughly Underway" Philadelphia Inquirer (July, 19, 1903), 7.
  11. "Contemporary Art Show Will Be Shown in South" Charlotte Observer 76 (April 26, 1944), 6.
  12. U. S. Census, 1910.
  13. Bulletin of the Philadelphia Museum January 1911.
  14. "Notable Alumni", The University of the Arts web page.
  15. Plastic Club Records, 1888-2007. The Historical Society of Pennsylvania. Collection 3106. Records in Appendix A at this website
  16. "Designers Needed in South America [Philadelphia] Evening Public Ledger 6 (January 30, 1920), 4.
  17. "Contemporary Art Show Will Be Shown in South" Charlotte Observer 76 (April 26, 1944), 6.
  18. "A Brief history of Belleair", available at Belleair, Florida web page
  19. Mark Ormond. "Modern Art in Florida, 1948–1970". Available at this website.
  20. "Poems Published." 1952 or 1953. Newspaper clipping found in St. Petersburg Lodge Records, Records Series 20.02.15, Theosophical Society in America Archives.
  21. Membership records. Blue series, microfilm reel #6. Theosophical Society in America Archives.
  22. Advertised weekly in the Philadelphia newspaper Momento.
  23. U. S. Census, 1920.
  24. "What Lodges Are Doing" The Theosophical Messenger 16.7 (December 1928), 150.