Ithell Colquhoun: Difference between revisions
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Public recognition of Colquhoun's artistry began in 1929, when she was awarded the Slade's Summer Composition Prize for her oil painting '''''Judith Showing the Head of Holofernes'''''. Two years later it was exhibited in the Royal Academy, now it is held in the collection of the University of London. While the concept of painting a woman holding a severed head seems grisly to modern eyes, this scene has been the subject of many paintings by great masters and is seen in a corner of the Sistine Chapel. Interpretations have evolved over time from Judith as a heroine trying to protect her people from Assyrian (Holofernes) aggression; to Judith as a virtuous example of womanhood; to Judith defeating Protestant heresy; to the triumph of spiritual discernment over the corruption and tyranny. | Public recognition of Colquhoun's artistry began in 1929, when she was awarded the Slade's Summer Composition Prize for her oil painting '''''Judith Showing the Head of Holofernes'''''. Two years later it was exhibited in the Royal Academy, now it is held in the collection of the University of London. While the concept of painting a woman holding a severed head seems grisly to modern eyes, this scene has been the subject of many paintings by great masters and is seen in a corner of the Sistine Chapel. Interpretations have evolved over time from Judith as a heroine trying to protect her people from Assyrian (Holofernes) aggression; to Judith as a virtuous example of womanhood; to Judith defeating Protestant heresy; to the triumph of spiritual discernment over the corruption and tyranny. | ||
The first major solo exhibition of her work took place in Cheltenham, 1936, comprising 91 items. That same year the Fine Art Society displayed 24 depictions of exotic plants. At least 24 solo exhibitions have occurred since.<ref>[http://ithellcolquhoun.co.uk/solo_exhibitions.htm "The Artist: Solo Exhibitions"]. Accessed 6 January 2026.</ref> | |||
In 2019, the Tate acquired the artist's archive of 5,000 pieces from the National Trust. | Colquhoun was prolific, and covered a wide range of subjects, including portraits, landscapes, architecture, theatrical scenes, and botanical paintings. Major themes have been described as | ||
In 2019, the Tate acquired the artist's archive of 5,000 pieces from the National Trust, and the artist is beginning to receive the attention she deserves. | |||
== Involvement with Theosophists == | == Involvement with Theosophists == | ||
Revision as of 12:11, 6 January 2026
Ithell Colquhoun (1906-1988) was a British surrealist, occultist, poet, and writer.
Personal life
Margaret Ithell Colquhoun was born on October 9, 1906 in Shillong, a hill town in the far north eastern region of India situated between Bangladesh and Myanmar (Burma). Her parents were Henry Archibald Colebrooke Colquhoun, a British civil servant, and Georgia Frances Ithell Manley. Her education took place in Rodwell, near Weymouth, Dorset. She attended Cheltenham Ladies' College, spent a year at Cheltenham School of Art, and then the Slade School of Art in London, beginning in 1927.
Artistic career
Public recognition of Colquhoun's artistry began in 1929, when she was awarded the Slade's Summer Composition Prize for her oil painting Judith Showing the Head of Holofernes. Two years later it was exhibited in the Royal Academy, now it is held in the collection of the University of London. While the concept of painting a woman holding a severed head seems grisly to modern eyes, this scene has been the subject of many paintings by great masters and is seen in a corner of the Sistine Chapel. Interpretations have evolved over time from Judith as a heroine trying to protect her people from Assyrian (Holofernes) aggression; to Judith as a virtuous example of womanhood; to Judith defeating Protestant heresy; to the triumph of spiritual discernment over the corruption and tyranny.
The first major solo exhibition of her work took place in Cheltenham, 1936, comprising 91 items. That same year the Fine Art Society displayed 24 depictions of exotic plants. At least 24 solo exhibitions have occurred since.[1]
Colquhoun was prolific, and covered a wide range of subjects, including portraits, landscapes, architecture, theatrical scenes, and botanical paintings. Major themes have been described as
In 2019, the Tate acquired the artist's archive of 5,000 pieces from the National Trust, and the artist is beginning to receive the attention she deserves.
Involvement with Theosophists
During her studies at Slade School of Art in London, she met Theosophist G. R. S. Mead and joined his Quest Society. She wrote an article called "The Prose of Alchemy" in one of that group's last periodicals, The Quest.
Her book Sword of Wisdom documents the Golden Dawn and its overlapping membership with the Theosophical Society.
Writings
- Sword of Wisdom: MacGregor Mathers and the “Golden Dawn”. London: Neville Spearman, 1975. First American edition, NY: G. P. Putnam’s Sons, 1975.
- Crying of the Wind: Ireland (1955)
- The Living Stones: Cornwall (1957).
Additional resources
Articles
- Ithell Colquhoun in Wikipedia.
- The Magic Surrealism of Ithell Colquhoun by Amy Hale. Posted 17 Jun 2020 on ArtUK.org.
=== Websites ===:
- Ithell Colquhoun: Magician Born of Nature. "Follow these links for a series of brief essays about Colquhoun’s artistic development; a comprehensive catalogue of her paintings, drawings and watercolours; pages that list all the known exhibitions in which her work has been included and where to see her works in public collections."
Notes
- ↑ "The Artist: Solo Exhibitions". Accessed 6 January 2026.
