Agustín Pío Barrios

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Agustín Pío Barrios was a Paraguayan composer and virtuoso performer of classical guitar music who was influenced by Theosophy. He sometimes used the names Agustín Barrios Mangoré and Nitsuga Mangoré in homage to Paraguay's native Guarani culture. Nitsuga is Agustin spelled backward.

Personal life

Agustín Pío Barrios was born on May 5, 1885 Paraguay to Doroteo Barrios and Martina Ferreira. There is some question of the location of his birth, which may have been in San Juan Bautista or in nearby Villa Florida, both of which are in the southern department [state] of Misiones. His family had great appreciation of the arts, and sent Agustin to study in the capital city of Asunciόn. He received a music scholarship at the Universidad Nacional de Asunciόn, and developed great interest in philosophy, literature, and mathematics. He spoke Spanish and Guarani, but could also read English, French, and German.

Barrios married Gregoria Isabel Villalba. Their son Pedro Virgilio Barrios Villalba was born on July 4, 1908 in San Roque, Asunción, Paraguay.[1]

He died on August 7, 1944 in San Salvador, El Salvador, where he had been employed as a professor for several years.

Influence of Theosophy

‘’’THIS SECTION IS UNDER CONSTRUCTION’’’
‘’’THIS SECTION IS UNDER CONSTRUCTION’’’
Several Spanish-language biographies of the artist mention his interest in Theosophy, but since few details are given, research is ongoing.

Artistic career

In the 1930s he began to appear in concerts wearing clothing that reflected the Guarani native culture of Paraguay. In concert he performed his own compositions under the name "Mangoré" or "Nitsuga Mangoré" for the first half of the program, wearing native attire such as a feathered headdress. After an intermission he reappeared in formal European clothing to play traditional classical guitar works and Bach.

In 1935 he spent a year with the Paraguayan ambassador to Mexico, Tomás Salomonis, traveling to Belgium, Germany and Spain. He performed in Brussels and Madrid.

Compositions

His composition "La Catedral" was inspired by the work of Johann Sebastian Bach.

Awards and honors

Additional resources

Biographies

  • Fricke, Hannes Mythos Gitarre: Geschichte, Interpreten, Sternstunden. Stuttgart: Reclam, 2013. 271 pages.
  • Stover, Richard D. Six Silver Moonbeams. The Life and Times of Agustín Barrios Mangoré. Clovis, Calif.: Querico Publications, 1992. Second edition 432 pages. Described in Amazon.com: "featuring 200 photographs, numerous letters, drawings and poems of Barrios, concert programs (over a hundred), harmonic analysis of selected works, commentaries by John Williams, Leo Brouwer and Sila Godoy, original scores of numerous works, plus chapters on 'The Guitar in Paraguay,' 'Barrios and Segovia,' as well as a complete listing of Barrios’ works and recordings."

Websites

Videos

  • Mangoré - For the Love of Art. 2013 film biography in Spanish only. Directed by Luis R. Vera, starring Damián Alcázar, Rafael Alfaro, and Clotilde Cabral. The film is available on DVD; this link is a trailer.
  • Barrios Mangore - Una Limosna por el Amor de Dios. David Russell presents a session of a guitar master class teaching "Una Limosna por el Amor de Dios" (Alms for the Love of God), one of the most famous and most often performed Barrios compositions.

Audio recordings

Notes

  1. "Pedro Virgilio Barrios Villalba" in Wikitree, which cites "Paraguay, registros parroquiales, 1754-2015," database with images, FamilySearch (https://familysearch.org/ark:/61903/3:1:33SQ-GRKT-9XW2?cc=1922527&wc=WXGH-Y8L%3A217758401%2C217758402%2C218073002%2C218806601 : 3 September 2019), Distrito Capital > Asunción > San Roque > Bautismos 1906-1914 > image 134 of 591; Arquidiócesis de Asunción (Archdiocese of Ascunción), Paraguay.