Agustín Pío Barrios

Agustín Pío Barrios was a Paraguayan composer and virtuoso performer of classical guitar music who was influenced by Theosophy. He sometimes used the names Agustín Barrios Mangoré and Nitsuga Mangoré in homage to Paraguay's native Guarani culture. Nitsuga is Agustin spelled backward.

Personal life

Agustín Pío Barrios was born on May 5, 1885 Paraguay to Doroteo Barrios and Martina Ferreira. There is some question of the location of his birth, which may have been in San Juan Bautista or in nearby Villa Florida, both of which are in the southern department [state] of Misiones. His family had great appreciation of the arts, and sent Agustin to study in the capital city of Asunciόn. He received a music scholarship at the Universidad Nacional de Asunciόn, and developed great interest in philosophy, literature, and mathematics. He spoke Spanish and Guarani, but could also read English, French, and German.

Barrios married Gregoria Isabel Villalba. Their son Pedro Virgilio Barrios Villalba was born on July 4, 1908 in San Roque, Asunción, Paraguay.

He died on August 7, 1944 in San Salvador, El Salvador, where he had been employed as a professor for several years.

Influence of Theosophy

‘’’THIS SECTION IS UNDER CONSTRUCTION’’’
‘’’THIS SECTION IS UNDER CONSTRUCTION’’’
Several Spanish-language biographies of the artist mention his interest in Theosophy, but since few details are given, research is ongoing.

Artistic career

In the 1930s he began to appear in concerts wearing clothing that reflected the Guarani native culture of Paraguay. In concert he performed his own compositions under the name "Mangoré" or "Nitsuga Mangoré" for the first half of the program, wearing native attire such as a feathered headdress. After an intermission he reappeared in formal European clothing to play traditional classical guitar works and Bach.

In 1935 he spent a year with the Paraguayan ambassador to Mexico, Tomás Salomonis, traveling to Belgium, Germany and Spain. He performed in Brussels and Madrid.

Compositions

His composition "La Catedral" was inspired by the work of Johann Sebastian Bach.

Additional resources

Biographies

• Fricke, Hannes Mythos Gitarre: Geschichte, Interpreten, Sternstunden. Stuttgart: Reclam, 2013. 271 pages.
• Stover, Richard D. Six Silver Moonbeams. The Life and Times of Agustín Barrios Mangoré. Clovis, Calif.: Querico Publications, 1992. Second edition 432 pages. Described in Amazon.com: "featuring 200 photographs, numerous letters, drawings and poems of Barrios, concert programs (over a hundred), harmonic analysis of selected works, commentaries by John Williams, Leo Brouwer and Sila Godoy, original scores of numerous works, plus chapters on 'The Guitar in Paraguay,' 'Barrios and Segovia,' as well as a complete listing of Barrios’ works and recordings."

Websites

• Agustín Barrios International Guitar Competition
• Agustín Pío (Mangoré) Barrios auf der Website Portal Guarani. Abgerufen am 23. April 2014 (spanisch)