Greek mythology: Difference between revisions

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#redirect [[Greek Mythology]]
 
==Primary Gods and Legends==
 
In Greek mythology, there are many other demi-gods and heros, but the most well known gods are the immortals who sit upon the thrones of Mt. Olympus. These twelve gods represent a specific natural element or energy force. They are the following:
 
* '''[[Zeus]]''': The god of the heavens, or as later mythology would determin, the god of the gods
 
* '''Hera''':
 
* '''Posideon''':
 
==H. P. Blavatsky and Myths==
 
==Anthropomirphism==
 
<blockquote>"The dark night of the soul," no less than the Götterdämmerung, was, in the
ancient mind, just the condition of the soul's embodiment in physical forms.
Taylor reasons that Minerva (the rational faculty, as Goddess of Wisdom) was by
her attachment to body given wholly "to the dangerous employment and abandons
the proper characteristics of her nature for the destructive revels of desire."
All this is the dialectic statement of the main theme of ancient theology - the
incarnation of the godlike intellect and divine soul in the darksome conditions
of animal bodies.<ref>Kuhn, Alvin Boyd. ''The Lost Light: An Interpretation of Ancient Scriptures'' (Rahway, NJ: Quinn & Boden Company, 1940), 146.</ref></blockquote>
 
==Modern Analysis==
 
<blockquote>Similarly it is that during those periods of spiritual dryness we can, if we
have so trained ourselves, commune with God through various forms of Art, for
Art fundamentally is a revelation of the Divine Nature, it reveals what Plato
called the Idea or the Archetype. The ancient Greeks were particularly sensitive
to this aspect of Art. If they looked at a statue of Apollo, the sun-god, it was
not merely to them a statue of some handsome youth, but there radiated from the
statue a mysterious influence, so that they came to feel the influence of God.
Similarly with the goddess Minerva; they felt, when there was an adequately
beautiful image in a temple, that somehow as they offered their adoration to it,
the image was like a wonderful window through which they looked into the Divine
Nature.<ref>Jinarājadāsa, Curuppumullage. Discourses on the Bhagavad Gita (Adyar, Madras: Theosophical Publishing House, 1953), 99.</ref></blockquote>
 
==Notes==
 
<references/>

Latest revision as of 16:15, 17 May 2013

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