Liberal Catholic Church
ARTICLE UNDER CONSTRUCTION
Until this article is completed, see the following names of people who were significant in the Liberal Catholic Church (LCC): James Ingall Wedgwood, Charles Webster Leadbeater, Robert Kelsey Walton, Felix Layton, Irving Cooper, George S. Arundale, Charles Hampton, Julian Adrian Mazel.
Originating in England around 1916, the LCC emerged from a dispute in the Old Catholic Church (OCC) in England, a branch of the OCC in the Netherlands. Archbishop Arnold Harris Mathew ordained a number of Theosophists to the priesthood, knowing them to be Theosophists. However, he later declared that they had to abandon Theosophy if they were to stay in the Church. They rejected the demand and were dismissed from the OCC. They, however, lacked a presiding Bishop to oversee their church activity. Bishop Frederick Samuel Willoughby corrected this lacunae by consecrating James Ingall Wedgwood a Bishop in 1916 and in the same year, Wedgewood consecrated Charles Webster Leadbeater. From that point forward, Theosophists have been very active in the LCC. Yet, they are quick to point out that the LCC and the TS are independent organizations. This assertion, however, does not change the fact that the LCC spread in many ways through the network of the Theosophical Society.
Under the leadership of Wedgewood and Leadbeater, the LCC spread. Moreover, its doctrine and liturgy incorporated the worldview known to Theosophists. In 1920, Leadbeater published The Science of the Sacraments. Within it he details the ways the liturgy not only brings the energy of the Christ to the people through the Eucharist, but also the way the ceremony affects the astral plane. He claims that the Eucharist creates a thought-form that, in the astral, builds a basilica similar to Hagia Sophia in Istanbul. He writes:
The eucharistic thought-edifice to which I have referred is constructed during and largely by means of the due performance of the ritual. This edifice differs somewhat from any of those figured in the book Thought-Forms (1905) though it has much in common with the great music-forms depicted at the end of that work. At a Low Celebration the material for the building is provided by the thought and devotion of the Priest, aided by that of his congregation (if he has any); but at a High Celebration the music and other accessories play a prominent part in its erection, though the celebrant's words and feelings are still the controlling force, and in all cases there is a certain amount of angelic guidance and assistance. This edifice is constructed of matter belonging to various planes—mental, astral and etheric—and at a later stage of the Service the matter of still higher levels is introduced, as will presently be explained. So many factors enter into this manufacture that there is room for wide differences in size, style, decoration and colouring, but the general plan is always recognizably the same. It suggests the shape of a basilica; indeed, it is said that the Church of Santa Sophia at Constantinople was erected in imitation of some of these spiritual edifices.
The completed Eucharist form looks like a church or basilica, with a central structure and four spires or corner columns. Throughout the book, Leadbeater does a detailed analysis of how each part of the liturgy erects a portion of the thought-form. Each part is visually depicted according to Leadbeater’s description, made while clairvoyantly observing the liturgy. Similarly, Leadbeater details the way the vestments channel energetic flow.
- John L. Crow, "Theosophy and the Liberal Catholic Church," Religion in American History (July 30,2013).