Enrico Resta: Difference between revisions
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'''Enrico Resta''' was a London photographer who took photographs of [[Helena Petrovna Blavatsky|Madame Blavatsky]], [[Annie Besant]], and Theosophical Society congresses. He described his experience with HPB in a 1942 letter to [[John B. S. Coats]]: | '''Enrico Resta''' was a London photographer who took photographs of [[Helena Petrovna Blavatsky|Madame Blavatsky]], [[Annie Besant]], and Theosophical Society congresses. He described his experience with HPB in a 1942 letter to [[John B. S. Coats]]: | ||
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One morning (January 8, 1889) I was in my studio at 4, Cobalt Place, Bayswater, very busy taking photographs when an assistant whispered to me that a lady wanted to be photographed at once if possible, having very little time to spare. So after explain this matter to the parents of the child who had the next appointment, to enable me to accommodate my unknown client, in came Mme. Blavatsky with the [[Constance Wachtmeister| | One morning (January 8, 1889) I was in my studio at 4, Cobalt Place, Bayswater, very busy taking photographs when an assistant whispered to me that a lady wanted to be photographed at once if possible, having very little time to spare. So after explain this matter to the parents of the child who had the next appointment, to enable me to accommodate my unknown client, in came Mme. Blavatsky with the [[Constance Wachtmeister|Countess Wachtmeister]]. The first lady immediately sat down by a small table and I noticed that she put her right hand into her pocket and rolled a cigarette, which you will see in the photos. I told my assistant to get out some negatives. Without any 'studio arrangement' Mme. Blavatsky expressed the wish to face the camera in that natural position, and being tremendously impressed with the personality and the expression, I took six plates, which to my delight were successful. Mme. Blavatsky arose, thanked me for favouring her so quickly, saying some artist had recommended my work. The proofs were dispatched to be returned with a letter expressing pleasure at the results, and, as you know, many thousands have been printed for the Theosophical Society. Of course many other photographs were taken, including those of Mrs. Besant and Congress Groups, and occasionally I received a simple invitation to pay an informal visit to this great lady, where the conversation ranged over life in all its aspects, perhaps the limitless power of good, or a kindly interest in my own work which I loved. Some years later I gave up the studio, and the only negatives I chose to keep were these six. They have been deeply treasured by me, and are in perfect condition, but now that I am an old man of 85 I feel that these realistic emblems of a great personage should no longer be retained by me, and am honoured in being able to pass on my negatives to the [[Theosophical Society]], their true anchorage.<ref>Typed copy of Enrico Resta letter to John Coats. 1942. Theosophical Society in England correspondence. Boris de Zirkoff Papers. Records Series 22. Theosophical Society in America Archives.</ref> | ||
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Revision as of 18:03, 21 April 2014
Enrico Resta was a London photographer who took photographs of Madame Blavatsky, Annie Besant, and Theosophical Society congresses. He described his experience with HPB in a 1942 letter to John B. S. Coats:
One morning (January 8, 1889) I was in my studio at 4, Cobalt Place, Bayswater, very busy taking photographs when an assistant whispered to me that a lady wanted to be photographed at once if possible, having very little time to spare. So after explain this matter to the parents of the child who had the next appointment, to enable me to accommodate my unknown client, in came Mme. Blavatsky with the Countess Wachtmeister. The first lady immediately sat down by a small table and I noticed that she put her right hand into her pocket and rolled a cigarette, which you will see in the photos. I told my assistant to get out some negatives. Without any 'studio arrangement' Mme. Blavatsky expressed the wish to face the camera in that natural position, and being tremendously impressed with the personality and the expression, I took six plates, which to my delight were successful. Mme. Blavatsky arose, thanked me for favouring her so quickly, saying some artist had recommended my work. The proofs were dispatched to be returned with a letter expressing pleasure at the results, and, as you know, many thousands have been printed for the Theosophical Society. Of course many other photographs were taken, including those of Mrs. Besant and Congress Groups, and occasionally I received a simple invitation to pay an informal visit to this great lady, where the conversation ranged over life in all its aspects, perhaps the limitless power of good, or a kindly interest in my own work which I loved. Some years later I gave up the studio, and the only negatives I chose to keep were these six. They have been deeply treasured by me, and are in perfect condition, but now that I am an old man of 85 I feel that these realistic emblems of a great personage should no longer be retained by me, and am honoured in being able to pass on my negatives to the Theosophical Society, their true anchorage.[1]
As of 1962, the Theosophical Society in England had the original Resta negatives, and a duplicate set was being held by a photographic studio, Elliott & Fry, Ltd., 22a Baker Street, Portman Square, London.[2]
Notes
- ↑ Typed copy of Enrico Resta letter to John Coats. 1942. Theosophical Society in England correspondence. Boris de Zirkoff Papers. Records Series 22. Theosophical Society in America Archives.
- ↑ Theosophical Society in England correspondence. Boris de Zirkoff Papers. Records Series 22. Theosophical Society in America Archives.