Hilma af Klint: Difference between revisions
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'''Hilma af Klint''', ([[October 26]], 1862 – [[October 21]], 1944) was a Swedish artist and [[Mysticism|mystic]] whose paintings were amongst the first abstract art. A considerable body of her abstract work predates the first purely abstract compositions by [[Wassily Kandinsky|Kandinsky]]. | '''Hilma af Klint''', ([[October 26]], 1862 – [[October 21]], 1944) was a Swedish artist and [[Mysticism|mystic]] whose paintings were amongst the first abstract art. A considerable body of her abstract work predates the first purely abstract compositions by [[Wassily Kandinsky|Kandinsky]]. | ||
Her art had a [[Theosophy|Theosophical]] influence. By the late 1870s she began to participate in séances, and soon developed an interest in Theosophy and the occult, as would be the case of [[Piet Mondrian|Mondrian]] and [[Wassily Kandinsky|Kandinsky]] some years later. | == Theosophical Society involvement == | ||
On May 23, 1904, Miss af Klint joined the Stockholm Lodge of the [[Theosophical Society (Adyar)|Theosophical Society]] headquartered in Adyar, Chennai, India.<ref>Theosophical Society General Membership Register, 1875-1942 at [http://tsmembers.org/ http://tsmembers.org/]. See book 2, entry 25914 (website file: 2C/66).</ref> There is evidence that she participated in a Swedish lodge as early as 1889, but little is known about that earlier involvement. | |||
Her art definitely had a [[Theosophy|Theosophical]] influence. By the late 1870s she began to participate in séances, and soon developed an interest in Theosophy and the occult, as would be the case of [[Piet Mondrian|Mondrian]] and [[Wassily Kandinsky|Kandinsky]] some years later. | |||
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Revision as of 15:38, 1 October 2018
Hilma af Klint, (October 26, 1862 – October 21, 1944) was a Swedish artist and mystic whose paintings were amongst the first abstract art. A considerable body of her abstract work predates the first purely abstract compositions by Kandinsky.
Theosophical Society involvement
On May 23, 1904, Miss af Klint joined the Stockholm Lodge of the Theosophical Society headquartered in Adyar, Chennai, India.[1] There is evidence that she participated in a Swedish lodge as early as 1889, but little is known about that earlier involvement.
Her art definitely had a Theosophical influence. By the late 1870s she began to participate in séances, and soon developed an interest in Theosophy and the occult, as would be the case of Mondrian and Kandinsky some years later.
Hilma af Klint was only introduced to a wider audience at the 1986 The Spiritual in Art exhibition. She was trained and initially worked as a conventional artist, but in the 1890s af Klint participated in Spiritualist sessions and started to draw under the influence of spirits. She owned a Swedish edition of Blavatsky's Secret Doctrine and Theosophical ideas quickly gained ground within these sessions. Between 1905 and 1907 af Klint realized a first series of esoteric paintings, called "drawings for the temple," created under the guidance of a spirit called Amaliel. After meeting [Rudolf] Steiner in 1908 she ceased painting to study Anthroposophy, eventually returning to and finishing the temple-series between 1912 and 1915. The series explores the major Theosophical theme of the cosmic dynamics between male and female and their eventual unity, also central to Mondrian's work. Her works are, notably, abstract. Similarly to the other artists associated with Theosophy, form (mostly abstract) was of prime importance to af Klint, as well as a particular symbolism of color; for her blue, the lily, and the eye represented femininity; yellow, the rose, and the hook masculinity (Lampe 2008: 130). She never exhibited during her life and left an oeuvre of over 1,000 paintings (Rousseau 2008).[2]
Additional resources
- Seven articles about Hilma af Klint are listed in the Union Index of Theosophical Periodicals.
- "Art and About: Hilma af Klint".
- Bax, Marty. "Hilma and the Enigmatic Mathilde N." Bax Art Concepts & Services blog. October 4, 2013. Available at Baxpress.blogspot. Viewed October 21, 2016.
- Hilma af Klint: Painting the Unseen at the Serpentine by Louisa Buck for The Telegraph.
Notes
- ↑ Theosophical Society General Membership Register, 1875-1942 at http://tsmembers.org/. See book 2, entry 25914 (website file: 2C/66).
- ↑ Tessel M. Bauduin, "Abstract Art as 'By-Product of Astral Manifestation': The Influence of Theosophy on Modern Art in Europe" Handbook of the Theosophical Current (Leiden: Brill, 2013),440-441.