L. W. Rogers Building

L. W. Rogers Building, front view, 2007. Photographer Jeff Gresko. Image from the Theosophical Society in America Archives.

The L. W. Rogers Building is the headquarters of the Theosophical Society in America, located on the Olcott campus in Wheaton, Illinois. It houses the business offices, auditorium, classroom, meditation room, staff residences, guest rooms, and the Henry S. Olcott Memorial Library. The building came to be named after L. W. Rogers, during whose term as Theosophical Society president it was built.

See more of the building in a video The Theosophical Society in America: A Brief Tour.

History

L. W. Rogers at his desk in 1927. Image from TSA Archives.

In 1925 the American Theosophical Society, now known as the Theosophical Society in America, purchased land in Wheaton, Illinois for a new headquarters campus. The Board of Directors approached architect Claude Bragdon, a prominent member of the Society, to design a building to serve as the national administrative center. Bragdon was then closing down his architectural practice to begin a career in theatrical design, and recommended a Chicago architect, Irving Kane Pond, of Pond & Pond, Martin & Lloyd, to take on the project. The architectural firm submitted two designs, and the Board could not decide between them, so President L. W. Rogers sent the drawings to Bragdon for review. Bragdon wired back that he preferred the asymmetrical design by Irving Pond over a symmetrical rendering by one of his partners.

The drawings from Irving Kane Pond's proposal were published in The Messenger, and the members were excited to see them. The original art works were created with pen and pastels. Along with blueprints, correspondence, and specifications, they have been preserved using grant funding from the Illinois State Historical Records Advisory Board by the Archives Department of the Henry S. Olcott Memorial Library.

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  Headquarters from southeast

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  Reception hall

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  Library

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  Front Elevation

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  First Floor Plan

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  Second Floor Plan

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  Third Floor Plan

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  Basement Plan

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  Irving Kane Pond signature

Cornerstone ceremony

Crowds at cornerstone ceremony.

Annie Besant in cornerstone ceremony.

Construction began in 1926, and the cornerstone was laid on August 29th in a Co-Masonic ceremony led by Annie Besant. The event was heavily covered by the Chicago Tribune and other newspapers, and people came by the hundreds on the interurban trains from Chicago to be present. In the photograph at the right, Annie Besant and A. P. Warrington are in front; L. W. Rogers appears between them; and architect Irving Kane Pond is third from the right (older man in dark suit). Jiddu Krishnamurti accompanied Annie Besant to Wheaton, but he does not appear in photographs of the ceremony. The architect mentioned the event in his autobiography. The cornerstone was filled with copies of major Theosophical texts such as The Secret Doctrine. Also enclosed was a parchment signed by L. W. Rogers, vice president C. T. Holland, and the directors of the Board: Maude N. Couch, M. B. Hudson, E. C. Boxell, and H. Kay Campbell.

Dedication ceremony

Dedication, August 28, 1927.

A dedication ceremony was conducted by the international president of the Theosophical Society, George S. Arundale on August 28, 1927. He appears in the middle of the photograph below at the right which appeared in the Chicago Tribune. His wife Rukmini Devi and L. W. Rogers are at the left, and A. P. Warrington at the far right. On September 17th the staff moved their offices and residences from Chicago.

Architecture

Rogers Building in 1931, from northeast

The architecture of Irving Kane Pond is difficult to classify, but the Rogers Building is generally considered to be Collegiate Gothic in style, with interiors influenced by the Arts and Crafts Movement. The exterior was constructed of Bedford limestone and red brick, with a carved stone lintel over the main entrance.

The original roof was a mixture of purple and green slates. The building's asymmetrical design helps to create an impression that the building evolved organically over time, adjusting to the needs of its inhabitants. In point of fact, the exterior appearance has hardly changed over the years, and most spaces in the building are still used for the same functions they were designed to support. Architectural elements on the exterior include horizontal band courses, dentils, and decorative windows. Inside, most rooms are accented simply with dark wood. The three areas with more interesting design features are the lobby, the library, and the meditation room.

Photo gallery of construction and 1920s exteriors

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  Construction site, taken from southeast in 1926

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  View from southeast in 1927

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  View from west in 1927

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  View from northwest, July 27, 1927

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  View from east in 1927

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  View from northeast, July, 1927

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  View from east southeast, late in 1927

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  View from west, late 1920s

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  View from northwest, late 1920s

Photo gallery of 1920s interiors

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  Reception hall

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  Reception hall

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  President L. W. Rogers

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  National Secretary Kay Campbell

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  Living room

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  Library

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  Bookkeeping office

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  Records office

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  Records office

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  Bedroom

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  Boiler room

Lobby and murals

The lobby is a open two-story space with entrances on the east and west. An oriel window permits the President's secretary to see visitors from above. The outstanding feature of the lobby is the mural painted by Richard Blossom Farley on commission from Theosophist and arts patron Georgine Shillard-Smith.

Meditation room

The meditation room is a serene space used only for meditation or meditation classes. Staff members gather every morning at 8:30 for 15 minutes for a group practice, and a healing group meets each Wednesday evening. Beautiful art works and oriental carpets line the room, including a thanka presented by the Dalai Lama in 1981 and a painting of Helena Petrovna Blavatsky by Gutzon Borglum, sculptor of Mount Rushmore. Just outside the doors of the meditation room are two pastels by Theosophist Burton Callicott They are Mandorla and Antahkarana

Library

Library reading room

The Henry S. Olcott Memorial Library, formerly known as the Olcott Library and Research Center, is a beautiful space that is used for meetings and performances as well as traditional library activities. The library was expanded in 1964 to add space on three levels. The architects were Theosophists Lillian and Wilbur Leenhouts of Milwaukee.

Auditorium

Auditorium

The third-floor auditorium is used for lectures, workshops, yoga classes, conferences, and numerous other activities throughout the year. The space was remodeled in 2009, benefiting from the Bland administration's Capital Funds Campaign. A column was removed to improve sight-lines for the audience. The sub-floor was rebuilt and new carpeting was installed. Co-Masons donated a beautiful door and door frame featuring stained glass with the Society's emblem etched into it. New audiovisual equipment was installed to support Webcasts and recording of programs.

The anteroom to the auditorium was established as the Olcott Gallery during the administration of John Algeo. Exhibits are changed quarterly, and the artists are announced in Quest magazine.

Art works on permanent display

J. Krishnamurti portrait. Painted from a photograph in 1926 by Henry Schwartz.

Numerous paintings, sculptures, Buddhist thankas, and oriental rugs decorate the building. Some of the most prominent works include:

• Madonna by Italian Renaissance painter Il Morreto (Alessandro Bonvicino, 1498-1554), in library.
• Portrait of Jiddu Krishnamurti, by Henry Schwartz, in second-floor hall.
• Three paintings, Demon Queller, Toys, and Suffering Fools, by Don Kruse, temporarily in storage.
• Portrait of H. P. Blavatsky by Gutzon Borglum, in Meditation Room.
• Antahkarana, pastel by Burton Callicott, by Meditation Room door.
• Mandorla, pastel by Burton Callicott, by Meditation Room door.
• Mandorla No. 12, painting by Burton Callicott, in staircase to auditorium.
• Tantric Circle sculpture, by Michael Cullen Todd, 1985, on front lawn.
• Slant sculpture, by David Middlebrook, 1984, on front lawn.
• Thanka donated by Dalai Lama, 1981, in Meditation Room.
• Portrait of C. W. Leadbeater by Erling Roberts, temporarily in storage.
• The Three Objects, 1944, calligraphy by A. Theodore Bondy, in second-floor hall.

Buddhist scholar Glenn Mullin created a video tour called Buddhist Art at the Theosophical Society in America.

Kitchen and dining room

In 2010, the basement kitchen and dining area were extensively remodeled. The dining room was renamed Nicholson Hall in honor of the Nicholson family whose generous donation made the renovation possible.

Guest rooms

Guest room

Guest rooms are available at modest cost for visitors such as lecturers, board members, and academic researchers. The building was designed to provide housing for staff members, and since September 1927, there have always been some employees living there.

Online resources

Articles

• Coloring in the Lines around My Think by Don Kruse. This is an article by an artist who donated paintings that hang in the building.

Additional resources

• Theosophical Society in America Archives Department has architect's drawings, 1926 blueprints, correspondence, and detailed specifications for each subcontractor (plumbing, roofing, etc.)