L. W. Rogers Building

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L. W. Rogers Building, front view, 2007. Photographer Jeff Gresko. Image from the Theosophical Society in America Archives.

The L. W. Rogers Building is the headquarters of the Theosophical Society in America, located on the Olcott campus in Wheaton, Illinois. It houses the business offices, auditorium, classroom, meditation room, staff residences, guest rooms, and the Henry S. Olcott Memorial Library. The building came to be named after L. W. Rogers, during whose term as Theosophical Society president it was built.

See more of the building in a video The Theosophical Society in America: A Brief Tour.


L. W. Rogers at his desk in 1927. Image from TSA Archives.

In 1925 the American Theosophical Society, now known as the Theosophical Society in America, purchased land in Wheaton, Illinois for a new headquarters campus. The Board of Directors approached architect Claude Bragdon, a prominent member of the Society, to design a building to serve as the national administrative center. Bragdon was then closing down his architectural practice to begin a career in theatrical design, and recommended a Chicago architect, Irving Kane Pond, of Pond & Pond, Martin & Lloyd, to take on the project. The architectural firm submitted two designs, and the Board could not decide between them, so President L. W. Rogers sent the drawings to Bragdon for review. Bragdon wired back that he preferred the asymmetrical design by Irving Pond over a symmetrical rendering by one of his partners.[1]

The drawings from Irving Kane Pond's proposal were published in The Messenger, and the members were excited to see them. The original art works were created with pen and pastels. Along with blueprints, correspondence, and specifications, they have been preserved using grant funding from the Illinois State Historical Records Advisory Board by the Archives Department of the Henry S. Olcott Memorial Library.

Cornerstone ceremony

Crowds at cornerstone ceremony.
Annie Besant in cornerstone ceremony.
Parchment sealed in cornerstone

Construction began in 1926, and the cornerstone was laid on Sunday, August 29th in a Co-Masonic ceremony led by Annie Besant. The event was heavily covered by the Chicago Tribune and other newspapers, and people came by the hundreds on the interurban trains from Chicago to be present. In the photograph at the right, Annie Besant and A. P. Warrington are in front; L. W. Rogers appears between them; and architect Irving Kane Pond is third from the right (older man in dark suit). Jiddu Krishnamurti accompanied Annie Besant to Wheaton, but he does not appear in photographs of the ceremony. The architect mentioned the event in his autobiography. The cornerstone was filled with copies of major Theosophical texts such as The Secret Doctrine. Also enclosed was a parchment signed by L. W. Rogers, vice president C. T. Holland, and the directors of the Board: Maude N. Couch, M. B. Hudson, E. C. Boxell, and H. Kay Campbell. Many prominent Theosophists were present, including Marie Poutz, Albert Schwartz, Irving S. Cooper, and Beatrice Wood.

The cornerstone ceremony was featured in a 1926 silent film that is available on YouTube.

Dedication ceremony

A dedication ceremony was conducted by the international president of the Theosophical Society, George S. Arundale on August 28, 1927. He appears in the middle of the photograph below that appeared in the Chicago Tribune. His wife Rukmini Devi and L. W. Rogers are at the left, and A. P. Warrington at the far right. On September 17th the staff moved their offices and residences from Chicago.

Dedication, August 28, 1927.


Rogers Building in 1931, from northeast

The architecture of Irving Kane Pond is difficult to classify, but the Rogers Building is generally considered to be Collegiate Gothic in style, with interiors influenced by the Arts and Crafts Movement. The exterior was constructed of Bedford limestone and red brick, with a carved stone lintel over the main entrance.

The original roof was a mixture of purple and green slates. The building's asymmetrical design helps to create an impression that the building evolved organically over time, adjusting to the needs of its inhabitants. In point of fact, the exterior appearance has hardly changed over the years, and most spaces in the building are still used for the same functions they were designed to support. Architectural elements on the exterior include horizontal band courses, dentils, and decorative windows. Inside, most rooms are accented simply with dark wood. The three areas with more interesting design features are the lobby, the library, and the meditation room.

Photo gallery of construction and 1920s exteriors

Photo gallery of 1920s interiors

Lobby and murals

The lobby is a open two-story space with entrances on the east and west. An oriel window permits the President's secretary to see visitors from above. The outstanding feature of the lobby is the mural painted by Richard Blossom Farley on commission from Theosophist and arts patron Georgine Shillard-Smith.

Meditation room

The meditation room is a serene space used only for meditation or meditation classes. Staff members gather every morning at 8:30 for 15 minutes for a group practice, and a healing group meets each Wednesday evening. Beautiful art works and oriental carpets line the room, including a thanka presented by the Dalai Lama in 1981 and a painting of Helena Petrovna Blavatsky by Gutzon Borglum, sculptor of Mount Rushmore. Just outside the doors of the meditation room are two pastels by Theosophist Burton Callicott They are Mandorla and Antahkarana.


Library reading room

The Henry S. Olcott Memorial Library, formerly known as the Olcott Library and Research Center, is a beautiful space that is used for meetings and performances as well as traditional library activities. The library was expanded in 1964 to add space on three levels. The architects were Theosophists Lillian and Wilbur Leenhouts of Milwaukee.



The third-floor auditorium is used for lectures, workshops, yoga classes, conferences, and numerous other activities throughout the year. The space was remodeled in 2009, benefiting from the Bland administration's Capital Funds Campaign. A column was removed to improve sight-lines for the audience. The sub-floor was rebuilt and new carpeting was installed. Co-Masons donated a beautiful door and door frame featuring stained glass with the Society's emblem etched into it. New audiovisual equipment was installed to support Webcasts and recording of programs.

The anteroom to the auditorium was established as the Olcott Gallery during the administration of John Algeo. Exhibits were changed quarterly, with the artists are announced in Quest magazine. In recent years a permanent display of photos has filled the gallery.

Art works on permanent display

J. Krishnamurti portrait. Painted from a photograph in 1926 by Henry Schwartz.

Numerous paintings, sculptures, Buddhist thankas, and oriental rugs decorate the building. Some of the most prominent works include:

Buddhist scholar Glenn Mullin created a video tour called Buddhist Art at the Theosophical Society in America.

Kitchen and dining room

In 2010, the basement kitchen and dining area were extensively remodeled. The dining room was renamed Nicholson Hall in honor of the Nicholson family whose generous donation made the renovation possible.

Guest rooms

Guest room

Guest rooms are available at modest cost for visitors such as lecturers, board members, and academic researchers. The building was designed to provide housing for staff members, and since September 1927, there have always been some employees living there.

Additional resources



Archival materials

  • Theosophical Society in America Archives Department has architect's drawings, 1926 blueprints, correspondence, and detailed specifications for each subcontractor (plumbing, roofing, etc.). See Records Series 09.04.01 for Rogers Building Construction Records, and series 43 for Blue prints and Architectural Renderings.


  1. Claude Bragdon telegram to L. W. Rogers, 1926, TSA Archives.