The Light of Asia (book): Difference between revisions
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Arnold's work caught the imagination of many in the West, and greatly increased popular interest in [[Buddhism]] and the religions of the East. | Arnold's work caught the imagination of many in the West, and greatly increased popular interest in [[Buddhism]] and the religions of the East. | ||
== Theatrical and film productions == | |||
[[Rukmini Devi Arundale]] created a theatrical production of ''The Light of Asia'' with the assistance of Alex and Mary Elmore. It was also produced by All India Radio at their Marshal Road Studios.<ref>''Rukmini Devi Bharata Natya'' (Chennai: Kalakshetra Publications, 2003), 20.</ref> | [[Rukmini Devi Arundale]] created a theatrical production of ''The Light of Asia'' with the assistance of Alex and Mary Elmore. It was also produced by All India Radio at their Marshal Road Studios.<ref>''Rukmini Devi Bharata Natya'' (Chennai: Kalakshetra Publications, 2003), 20.</ref> | ||
Another theatrical version was presented in 1918 at [[Krotona]] in Hollywood, California. According to [[Joy Mills]]: | |||
<blockquote> | |||
A pre-convention attraction which caused a great stir was the presentation of "The Light of Asia," as a dramatic production with the well-known actor, Walter Hampden (hailed by one newspaper as "America's best Hamlet") in the leading role as the Buddha. Staged in the Krotona Stadium, the play attracted great attention in Los Angeles and surrounding communities; among the distinguished spectators were the Mayor of Los Angeles, Joh Masefield of England, the Japanese consul, and a number of prominent motion picture producers and stars."<ref>Joy Mills, ''100 Years of Theosophy in America'', (Wheaton, Ill.: Theosophical Publishing House, 1987), 58.</ref> | |||
</blockquote> | |||
In India, the film industry, still in its infancy, chose ''The Light of Asia'' as a subject: | |||
<blockquote> | |||
Bengal-born Himanshu Rai, while pursuing his legal education at the Inner Temple in London, came into contact with playwright Niranjan Pal, who was working on a script based on Edwin Arnold's poem, Light of India. The two set up a partnership. Pal got Peter Ostermeyer's German company, Emelka, to pre-buy the European distribution rights and contribute the technical crew consisting of Director Franz Osten (Ostermeyer's brother), cameraman Joseph Wirsching, production designer Karl von Spretti and assistants and all technical equipments, while Rai got the Delhi-based Great Eastern Film Corporation owned by Moti and Prem Sagar to invest in one-third of the production. And thus took shape Light of Asia (1925) - the first significant international co-production. The unique film was shot entirely in India, in actual locales, without aid of studio sets, artificial lights, faked up properties or make-up.<ref>P. K. Nair, "In the Age of Silence - Beginnings of Cinema in India", LaTrobe University Web page at [http://www.latrobe.edu.au/screeningthepast/reruns/rr0499/PUdrr6.htm]</ref> | |||
</blockquote> | |||
== Notes == | |||
<references/> | |||
== Notes == | == Notes == | ||
<references/> | <references/> | ||
Revision as of 19:49, 1 May 2012
The Light of Asia is a poetic work by Edwin Arnold based on the life of Gautama Buddha. Siddhartha was a prince, well-educated and of high status. He married a beautiful and had a son. On one of his tours around the country, he was shocked and saddened by the suffering of the people and the abuse of animals. He left the palace and relinquished all worldly pleasures to go in search of truth and meaning. Finally he achieved Nirvana while sitting under a Bodhi tree in Gaya. From that point on, he was known as the Buddha. The main principle of his teachings was ahimsa or non-violence toward fellow creatures.
Publication history
Impact of this work
Arnold's work caught the imagination of many in the West, and greatly increased popular interest in Buddhism and the religions of the East.
Theatrical and film productions
Rukmini Devi Arundale created a theatrical production of The Light of Asia with the assistance of Alex and Mary Elmore. It was also produced by All India Radio at their Marshal Road Studios.[1]
Another theatrical version was presented in 1918 at Krotona in Hollywood, California. According to Joy Mills:
A pre-convention attraction which caused a great stir was the presentation of "The Light of Asia," as a dramatic production with the well-known actor, Walter Hampden (hailed by one newspaper as "America's best Hamlet") in the leading role as the Buddha. Staged in the Krotona Stadium, the play attracted great attention in Los Angeles and surrounding communities; among the distinguished spectators were the Mayor of Los Angeles, Joh Masefield of England, the Japanese consul, and a number of prominent motion picture producers and stars."[2]
In India, the film industry, still in its infancy, chose The Light of Asia as a subject:
Bengal-born Himanshu Rai, while pursuing his legal education at the Inner Temple in London, came into contact with playwright Niranjan Pal, who was working on a script based on Edwin Arnold's poem, Light of India. The two set up a partnership. Pal got Peter Ostermeyer's German company, Emelka, to pre-buy the European distribution rights and contribute the technical crew consisting of Director Franz Osten (Ostermeyer's brother), cameraman Joseph Wirsching, production designer Karl von Spretti and assistants and all technical equipments, while Rai got the Delhi-based Great Eastern Film Corporation owned by Moti and Prem Sagar to invest in one-third of the production. And thus took shape Light of Asia (1925) - the first significant international co-production. The unique film was shot entirely in India, in actual locales, without aid of studio sets, artificial lights, faked up properties or make-up.[3]