Athena

Athena is the goddess of the arts and wisdom in Greek mythology. Also known as Pallas Athene or Minerva in Roman mythology, Athena is the patroness of the Greek capital Athens.

Athena and the Cosmic Mind

According to ancient myth, Athena was the child of Zeus and Metis, the goddess of divine wisdom. Fearful that his wife, Hera, would be jealous of Metis, Zeus transformed Metis into a fly and swallowed her. However, Athena had already been concieved. Within a few months, Athena emerged out of Zeus' head as a fully grown woman of wisdom.

In Theosophy, the birth of Athena takes a more Esoteric approach.

Archaic literature speaks voluminously of the sons of God as being "mind-born." The myth of the generation of Pallas Athena, Goddess of Wisdom, directly from the forehead of Jove, carries the same connotation. For the production of archetypal creative ideas the God-Mind needs no immediate implementation by matter. The Father produces his mental children directly from his brain alone.

In the sense in which Minerva is said to have sprung full-grown from the forehead of Jove, men can be conceived as generated from the cosmic power of mind.

Relation with Theosophy

Theosophy is, then, the archaic Wisdom the esoteric doctrine once known in

every ancient country having claims to civilization. This "Wisdom" all the old writings show us as an emanation of the divine Principle; and the clear comprehension of it is typified in such names as the Indian Budh, the Babylonian Nebo, the Thoth of Memphis, the Hermes of Greece; in the appellations, also, of some goddesses -- Metis, Neitha, Athena, the Gnostic Sophia finally the Vedas, from

the word "to know".

Interpretation by C. W. Leadbeater

Pallas Athene, the grey-eyed goddess of wisdom, was a magnificent and splendid

Being, who practically governed Athens in the old days through her devotees. Her influence was enormously stimulating, but she was not so much an embodiment of compassion or of love, as is the Blessed Virgin Mary, but rather of efficiency

and of that perfect accuracy of form that is the essence of all true art...There was practically no emotion connected with Pallas Athene; we had an intellectual appreciation of her greatness, an intense devotion along mental lines, a splendid enthusiasm in following her; but we should not have ventured upon anything like personal affection. She kept Athens in perfect order, directing it, governing it, brooding over its people with her wonderful inspiration; and she watched the develop­ment of her city with the closest interest, determined that it should be ahead of Sparta and Corinth and the other cities of Greece.