Mandorla (art work): Difference between revisions

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[[File:Callicott Mandorla 1.jpg|right|200px]]
{{DISPLAYTITLE: ''Mandorla'' (art work)}}
[[File:Callicott Mandorla 1.jpg|right|150px]]
''Mandorla'' is a pastel created by [[Burton Callicott]], a member of the Memphis Lodge of the [[Theosophical Society in America]]. It hangs outside the Meditation Room in the [[L. W. Rogers Building]], the headquarters of the TSA in Wheaton, Illinois. The exhibit sign states, "Represents the human [[aura]] as an almond-shaped rainbow of the [[Principle|seven human principles]]. At the top is the white light of [[atma]], in the center – pure emptiness, the holy void from which all comes forth." See the also term '''[[mandorla]]'''.


"Mandorla" is a pastel created by [[Burton Callicott]], a member of the Memphis Lodge of the [[Theosophical Society in America]]. It hangs outside the Meditation Room in the [[L. W. Rogers Building]], the headquarters of the TSA in Wheaton, Illinois. The sign below the frame states, "Represents the human aura as an almond-shaped rainbow of the seven human principles. At the top is the white light of atma, in the center - pure emptiness, the holy void from which all comes forth."
The artist donated the work in the year 2000, when he was 93 years old, along with another work, [[Antahkarana (art work)|''Antahkarana'']]. Callicott experimented with the mandorla form for many years. His family donated an oil version, [[Mandorla No. 12 (art work)|''Mandorla No. 12'' ]], painted in 1989. The dimensions of the pastel are 18.5 x 26 inches, or 47 x 66 cm.  


The artist donated the work in the year 2000, when he was 93 years old, along with another work, "Antahkarana."
The [[mandorla]] is a symbol in many cultures and religions, and the name derives from the Italian word for almond. Late in his life, Callicott wrote a poem:<ref>Burton Callicott, [poem number] "24" ''Art & Soul'' (2020), 50.</ref>
<blockquote>
<center>Two sculptured vertical arcs</center>
<center>meeting in points</center>
<center>above and below</center>
<center>&ndash; in the shape of the almond &ndash;</center>
<center>framing the "Christ in Glory,"</center>
<center>in high relief enthroned</center>
<center>in the tympanum stone</center>
<center>above the cathedral's main portal</center>
<center>configure the mandorla.</center>
<center>So knew they</center>
<center>in the Romanesque era</center>
<center>of the hidden aura</center>
<center>of light and energy &ndash;</center>
<center>of the subtle bodies</center>
<center>the invisible synergy.</center>
</blockquote>


The [[mandorla]] is a symbol in many cultures and religions, and the name derives from the Italian word for almond.
== Notes ==
<references/>
 
[[Category:Art works]]

Latest revision as of 19:31, 23 September 2021

Callicott Mandorla 1.jpg

Mandorla is a pastel created by Burton Callicott, a member of the Memphis Lodge of the Theosophical Society in America. It hangs outside the Meditation Room in the L. W. Rogers Building, the headquarters of the TSA in Wheaton, Illinois. The exhibit sign states, "Represents the human aura as an almond-shaped rainbow of the seven human principles. At the top is the white light of atma, in the center – pure emptiness, the holy void from which all comes forth." See the also term mandorla.

The artist donated the work in the year 2000, when he was 93 years old, along with another work, Antahkarana. Callicott experimented with the mandorla form for many years. His family donated an oil version, Mandorla No. 12 , painted in 1989. The dimensions of the pastel are 18.5 x 26 inches, or 47 x 66 cm.

The mandorla is a symbol in many cultures and religions, and the name derives from the Italian word for almond. Late in his life, Callicott wrote a poem:[1]

Two sculptured vertical arcs
meeting in points
above and below
– in the shape of the almond –
framing the "Christ in Glory,"
in high relief enthroned
in the tympanum stone
above the cathedral's main portal
configure the mandorla.
So knew they
in the Romanesque era
of the hidden aura
of light and energy –
of the subtle bodies
the invisible synergy.

Notes

  1. Burton Callicott, [poem number] "24" Art & Soul (2020), 50.