Piet Mondrian

From Theosophy Wiki
Revision as of 02:47, 27 October 2016 by Janet Kerschner (talk | contribs)
Jump to navigation Jump to search

UNDER CONSTRUCTION
UNDER CONSTRUCTION

Self Portrait

Pieter Cornelis "Piet" Mondrian (March 7, 1872 – February 1, 1944), was an influential Dutch painter, and one of the founders of the Dutch modern movement De Stijl. He also evolved a non-representational form that he termed neoplasticism, which consisted of white ground, upon which he painted a grid of vertical and horizontal black lines and the three primary colors.

Piet Mondrian

Early life and education








Artistic career

Woods Near Oele

Significant works

Woods Near Oele: This large canvas, whose subject has been identified... as the woods near the village of Oele... marks a milestone in the painter's work. It shows the phase of his art in which his horizon opened up and he began to look beyond the somewhat narrow boundaries of the Dutch school...

The painting itself is clearly a transitional work. On the one hand it belongs... to a period in which a scene of nature is brought to sober, almost solemn simplicity by means of rigorous stylization and stringent two-dimensional treatment. On the other hand, the color, the brushwork, and the rhythm of the painting betray a dynamism that indicates foreign influences...

The new view of reality, the realization that there are forces existing in nature related to those of human feeling and thought, stimulated Mondrian to attempt a fresh approach.[1]

Theosophical Society involvement

In 1908 Piet Mondrian became interested in the Theosophical Society. Its founder, Blavatsky believed that it was possible to attain a knowledge of nature more profound than that provided by empirical means, and much of Mondrian's work for the rest of his life was inspired by his search for that spiritual knowledge.

He radically simplified the elements of his paintings to reflect what he saw as the spiritual order underlying the visible world, creating a clear, universal aesthetic language within his canvases.

Later years

Published collections and exhibit catalogs

  • Plastic Art and Pure Plastic Art, 1937, and Other Essays, 1941-1943. New York: Wittenborn and Co., 1945.

Other Resources

Notes