Art and the Theosophical Movement: Difference between revisions

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=== Transcendental Painting Group ===
=== Transcendental Painting Group ===
UNDER CONSTRUCTION
The Transcendental Painting Group (TPG) was a spiritualist abstract art movement founded in New Mexico in 1938.  The group consisted of artists who wanted to infuse spiritual qualities in abstraction with concepts from Theosophy, Agni Yoga, and Zen Buddhism.
Mission
The purpose of the TPG, as set forth in a manifesto, was ”to carry painting beyond the appearance of the physical world, through new concepts of space, color, light and design, to imaginative realms that are idealistic and spiritual.”<ref> Transcendental Painting Group (N.M.). [https://www.aaa.si.edu/collections/items/detail/transcendental-painting-group-statement-purpose-17590 Transcendental Painting Group statement of purpose], 1938?. Agnes Pelton papers, 1885-1989. Archives of American Art, Smithsonian Institution. </ref>
Members<ref>https://artmuseum.unm.edu/raymond-jonson-web-portal/tpg/</ref>
Raymond Jonson (1891-1982) Co-founder of the TPG. Modernist painter and educator at the University of New Mexico
Emil Bisttram (1895-1976) Co-founder of the TPG.  Hungarian born influential painter who founded the Taos School of Art
Lawren Harris (1885-1970) Well known Canadian painter who joined the TPG in 1938 while living in New Mexico.  He was forced to return to Canada in 1940 when wartime regulations prevented him from transferring Canadian currency out of the country.<ref>“The Artists Who Wanted to Rise Above It All”, Jonathan Griffin, November 20, 2021, https://apollo-magazine.com/transcendental-painting-group-new-mexico/
, p. 21</ref>
Agnes Pelton (1881-1961) - Oldest member of the group who was voted in as a member in absentia because she was living in Cathedral City, CA at the time. 
Florence Miller-Pierce (1918-2007)- Student of Emil Bisttram. She was the youngest member of the TPG and exposed to Theosophy through acquaintances.<ref>Women Artists of the American West, Agnes Pelton and Florence Miller-Pierce, The Two Women in the Transcendental Painting Group, Biographies by Tiska Blankenship.</ref> She married fellow artist Horace-Towner Pierce.
Horace Towner-Pierce (1916-1958) - Student of Emil Bisttram. Used Dynamic Symmetry for a series of drawings dedicated to non-objective painting. He was interested in animating his work with music from Dane Rudhyar, believing film was the future.<ref>See Curator Talk: Another World, Crocker Art Museum YouTube channel, February 17, 2023, https://m.youtube.com/watch?v=NjRRFCwpOUw&t=79s&pp=2AFPkAIB0gcJCR4Bo7VqN5tD
</ref>
Robert Gribboek (1906-1971) - Student of Emil Bisttram.  After spending a few years in New Mexico, he moved to California to work as an artist for Warner Brothers. 
William Lumpkins (1909-2000) - Treasurer of TPG and the only member native to New Mexico.  Beginning in the 1930s, he painted visionary works of abstract expressionism.
Stuart Walker (1904-1940) originally, from Indiana, Walker started out as a naturalistic painter and turned his attention to abstraction after he moved to New Mexico. He passed away at the age of thirty-five.<ref>See Raymond Jonson's "Tribute to Painter Stuart Walker on Occasion of a Recent Exhibition," 1940, Raymond Jonson Papers, Archives of American Art, Smithsonian Institution, Washington, D.C., roll RJB: 5754.</ref>
Ed Garman (1914-2004) - Joined the TPG when Lawren Harris went back to Canada. With the start of World War II, however, he left NM to serve in the Navy in 1942.  The war had a profound influence on his abstractions.
Dane Rudhyar (1895-1985) and Alfred Morang (1901-1958)  provided intellectual theory and critiques to the group.
 
Influence of Theosophy
Nicholas Roerich had a very strong influence on Raymond Jonson and Emil Bisttram. In 1921, Jonson met Nicholas Roerich at the Art Institute of Chicago during a Roerich exhibition.  (Footnote Jonson portal).  Bisttram’s interest in Dynamic Symmetry led him to the teachings of Roerich, P.D. Ouspensky, and H.P. Blavatsky.  Bisttram taught at Roerich’s Master Institute of United Arts in New York before moving to Taos and starting his own school in 1932. (Appollo p. 19). Both participated in Cor Ardens (flaming heart), a group founded by Roerich dedicated to “universal expression.” (Fn “Hidden Meanings in Abstract Art” by Maurice Tuchman, The Spiritual in Art: Abstract Painting 1890-1985, Los Angeles County Museum of Art, p. 43, 1986).  Other members of the group, such as Agnes Pelton, were profoundly impacted by Roerich’s Agni Yoga.
Although each member had a slightly different perspective, they all wanted to reach beyond the material world to develop art that was engaging, meditative, and soulful (footnote - Michael Duncan; Another World TPG video).  This lined up with the teachings of Theosophy and the ancient wisdom.  In addition to theosophical writings such as Thought Forms, Wassily Kandinsky’s book Concerning the Spiritual in Art (1912), which makes numerous references to Theosophy, had a strong influence on members.
This spiritual insight inspired TPG members to use universal symbols and abstract forms to illuminate the transcendent spirit present in all beings, nature, and the cosmos (appollo magazine p. 7).  Their work served a higher purpose with technical mastery to evoke a feeling of transcendence in those who viewed their art. (Apollo magazine, p. 11)
Although all TPG members were versed in Theosophy, only Lawren Harris was a member of the Theosophical Society (in Canada).


=== Group of Seven ===
=== Group of Seven ===

Revision as of 19:09, 16 November 2025

UNDER CONSTRUCTION
UNDER CONSTRUCTION
Art as an expression of spirituality is important to the Theosophical Movement. This article summarizes the relationship between Theosophists and the visual fine arts of painting, drawing, ceramics, and sculpture. See also:

Music and the Theosophical Movement
Performing Arts and the Theosophical Movement
Literature and the Theosophical Movement
Popular Culture and the Theosophical Movement
Occult fiction

Theosophists on art

Helena Petrovna Blavatsky

Mme. Blavatsky wrote:

Thoreau pointed out that there are artists in life, persons who can change the colour of a day and make it beautiful to those with whom they come in contact. We claim that there are adepts, masters in life who make it divine, as in all other arts. Is it not the greatest art of all, this which affects the very atmosphere in which we live? That it is the most important is seen at once, when we remember that every person who draws the breath of life affects the mental and moral atmosphere of the world, and helps to colour the day for those about him. Those who do not help to elevate the thoughts and lives of others must of necessity either paralyse them by indifference, or actively drag them down. When this point is reached, then the art of life is converted into the science of death; we see the black magician at work. And no one can be quite inactive. Although many bad books and pictures are produced, still not everyone who is incapable of writing or painting well insists on doing so badly. Imagine the result if they were to! Yet so it is in life. Everyone lives, and thinks, and speaks. If all our readers who have any sympathy with [the journal] Lucifer endeavoured to learn the art of making life not only beautiful but divine, and vowed no longer to be hampered by disbelief in the possibility of this miracle, but to commence the Herculean task at once, then 1888, however unlucky a year, would have been fitly ushered in by the gleaming star.[1]

Curuppumullage Jinarājadāsa

Rukmini Devi Arundale

Art movements and groups associated with Theosophists

De Stihl or Neoplasticism

Transcendental Painting Group

Group of Seven

Artists influenced by Theosophy

Theosophical Society Founders Helena Petrovna Blavatsky and William Quan Judge were quite skilled in drawing. The arts have always been appreciated by Theosophists as a means of expressing spirituality.

Other Theosophists who were skilled artists include Mary Gebhard; William Loftus Hare, an engraver; Harold Edward Hare; Charles J. Ryan; Brian Stonehouse; and Robert Vaughn.

Art works significant to Theosophists

See also

Additional resources

Articles

Video

Bibliographies

Websites

Books

  • McFarlane, Jenny. Concerning the Spiritual: The Influence of the Theosophical Society On Australian Artists, 1890-1934. Australian Scholarly Publishing, 2012.

Notes

  1. Helena Petrovna Blavatsky, Collected Writings vol. IX (Wheaton, IL: Theosophical Publishing House, 1974), 3-4.